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Now showing at Odeon Salisbury 15,New Canal,Salisbury,Wiltshire SP1 2AA 0871 224 4007

  • American Sniper
  • Globe On Screen: The Comedy Of Errors
  • Jurassic World
  • Jurassic World (Subtitled)
  • Jurassic World 3D
  • Magic Mike XXL
  • Minions
  • Minions (Subtitled)
  • Minions 3D
  • Spy
  • Still Alice
  • Ted 2
  • Terminator Genisys
  • Terminator Genisys 3D

American Sniper 4 stars

movie title

Born and raised in Odessa, Texas, Chris Kyle becomes a professional rodeo rider until injury forces him to reassess his priorities. He enlists with the military and his keen eye - nurtured by his father who taught him to hunt at an early age - sets Kyle apart as a sniper. During four tours of duty in Iraq, he gains the reputation as the most lethal sniper in American military history, with 160 confirmed kills to his name.

  • GenreAction, Biography, Drama, Historical/Period, Romance, War
  • CastBradley Cooper, Sienna Miller, Kyle Gallner, Luke Grimes.
  • DirectorClint Eastwood.
  • WriterJason Hall.
  • CountryUS
  • Duration132 mins
  • Official sitewww.americansnipermovie.com
  • Release16/01/2015

Heroes come in many shapes and sizes. Born and raised in Odessa, Texas, Chris Kyle became a professional rodeo rider until injury forced him to reassess his priorities. He enlisted with the military and his keen eye - nurtured by his father who taught him to hunt at an early age - set Kyle apart as a sniper.

During four tours of duty in Iraq, he gained the reputation as the most lethal sniper in American military history, with 160 confirmed kills to his name. Such was his notoriety, the enemy nicknamed him "The Devil Of Ramadi" and put a sizable bounty on his head.

When Kyle eventually returned home, deeply scarred by clashes with insurgents and the deaths of his brothers in arms, he gradually regained his humanity and reconnected with his family by working with veterans suffering from post-traumatic stress disorder.

In a bitter twist, having survived Iraq, Kyle was killed by one of those traumatised veterans on a Texas shooting range. His achievements are celebrated in Clint Eastwood's impeccably crafted biopic, which opens on a rooftop in Iraq with Chris Kyle (Bradley Cooper) staring down a telescopic sight as a woman and her young son emerge from a building.

Tensions steadily cranks up as Kyle places his finger on the trigger. "They'll fry you if you're wrong," warns his compatriot Goat-Winston (Kyle Gallner). We rewind initially to Chris' childhood, where he learns how to handle a gun with his father Wayne (Ben Reed). "You're going to make a fine hunter some day," says the old man tenderly.

When dreams of bull-riding turn sour, Chris enlists and he meets Taya (Sienna Miller) in a bar. They marry and she raises their family alone while Chris fights overseas and attempts to outwit an elusive rival sniper called Mustafa (Sammy Sheik).

With each successive tour, Chris returns home unable to communicate effectively with his loved ones. "I need you to be human again," pleads Taya. "I need you to be here."

American Sniper unfolds from Kyle's fervently patriotic perspective and the lack of narrative balance might trouble some audiences. Eastwood is more interested here in the psychology of a father and husband than wading through the murky politics and morality of modern warfare.

Battle sequences are choreographed with meticulous precision and Cooper, who bulked up for the role, affects a drawl to perfection as he conveys the demons that haunt Kyle and drive him further from the people that love him the most.

Miller is solid in a meaty supporting role, reminding Chris of his responsibilities to his family as well as his country. "I'm making memories by myself. I have no one to share them with," sobs Taya. Kyle's memory is polished to a lustre by Eastwood's film.

Showtimes (Click time to book tickets)

Wednesday 8th July 2015
Thursday 9th July 2015

Globe On Screen: The Comedy Of Errors 3 stars

Shakespeare's famous dramatic comedy about mistaken identity.

  • GenreComedy, Drama, Special
  • CastStefan Adegbola, Andy Apollo, Paul Brendan.
  • DirectorBlanche McIntyre.
  • CountryUK
  • Duration147 mins
  • Official site

Showtimes (Click time to book tickets)

Thursday 9th July 2015

Jurassic World 4 stars

movie title

The Jurassic World theme park is open on Isla Nublar under the control of Operations Manager Claire Dearing. The park's scientists play God by performing genetic modification experiments to breed a new dinosaur: the Indominus Rex. When this hulking beast escapes confinement and goes on the rampage in a park crowded with terrified tourists, animal wrangler Owen Grady races to the rescue.

  • GenreAction, Adventure, Family, Science Fiction, Thriller
  • CastJudy Greer, Chris Pratt, Ty Simpkins, Bryce Dallas Howard, Vincent D'Onofrio, Nick Robinson.
  • DirectorColin Trevorrow.
  • WriterRick Jaffa, Amanda Silver, Colin Trevorrow, Derek Connolly.
  • CountryUS
  • Duration124 mins
  • Official sitewww.jurassicworld.com
  • Release11/06/2015

In the original Jurassic Park, scientists reanimate dinosaurs on a tropical island and quickly discover their arrogant folly. "Life breaks free. It expands to new territories and crashes through barriers," wisely observes Jeff Goldblum's doom-mongering chaos mathematician. His words reverberate throughout this fourth instalment of the blockbusting dino-franchise.

Director Colin Trevorrow and three co-writers step back in time, using the structure and heightened human drama of the first film as a solid template for this return to Isla Nublar. Jurassic World begs, borrows and affectionately steals from the 1993 box office behemoth, including a cameo for the Mr DNA animation and a set piece in the iconic visitor centre (now overgrown).

Two stricken children are a focal point when the park goes into meltdown, and mission control boasts a nerdy computer wizard (Jake Johnson) for mild comic relief. If the nuts and bolts of the screenplay are unabashedly retro, the special effects are undeniably state-of-the-art, realising creatures great and small, which chomp through countless extras and the main cast.

This is by far the bloodiest chapter of the Jurassic saga, if not quite the best. Jurassic World opened to the public in 2005 and now welcomes more than 20,000 visitors a day. Claire Dearing (Bryce Dallas Howard) oversees park operations, while Dr Henry Wu (BD Wong) plays God in the laboratories, splicing DNA strands to create terrifying new breeds.

"Consumers want them bigger, louder, more teeth," Claire tells a group of investors. Thus the ferocious and highly intelligent Indominus Rex is born. "This will give the parents nightmares," shudders park CEO Simon Masrani (Irrfan Khan), who took up the mantle from John Hammond to open an isle of prehistoric wonders.

When the Indominus Rex escapes her paddock, Claire begs naval officer-turned-animal behaviour specialist Owen Grady (Chris Pratt) for help. He has been working on the island with Vic Hoskins (Vincent D'Onofrio), head of InGen Security, on a top-secret project involving four captive velociraptors.

Claire is distraught because her nephews, Zach (Nick Robinson) and Gray (Ty Simpkins), are trapped in the middle of the bloodbath. She implores Owen to rescue the boys, tracking them by footprints and scent. "I was in the Navy, not the Navajo," he reminds her.

Jurassic World is a muscular, rollicking romp that captures some of the adrenaline-pumping thrills and jaw-dropping awe we felt more than 20 years ago when Steven Spielberg first unleashed dinosaurs back into multiplexes.

Pratt is an instantly likable hero and he catalyses a simmering screen chemistry with Howard as the workaholic who faces the dino-pocalypse in highly inappropriate footwear. D'Onofrio glowers as one of the film's boo-hiss villains, who views the creatures as expendable assets. "We own them. Extinct animals have no rights," he snarls.

Action sequences are orchestrated at a lick, seamlessly integrating digital trickery with live action including chaotic scenes of a flock of pteranodons plucking visitors from the ground. "Remember: something chases you, run!" advises Zach and Gray's mom at the beginning of the film. Wise words.

Showtimes (Click time to book tickets)

Tuesday 7th July 2015
Wednesday 8th July 2015

Jurassic World (Subtitled) 4 stars

movie title

The Jurassic World theme park is open on Isla Nublar under the control of Operations Manager Claire Dearing. The park's scientists play God by performing genetic modification experiments to breed a new dinosaur: the Indominus Rex. When this hulking beast escapes confinement and goes on the rampage in a park crowded with terrified tourists, animal wrangler Owen Grady races to the rescue.

  • GenreAction, Adventure, Family, Science Fiction, Thriller
  • CastBryce Dallas Howard, Vincent D'Onofrio, Judy Greer, Chris Pratt, Ty Simpkins, Nick Robinson.
  • DirectorColin Trevorrow.
  • WriterRick Jaffa, Colin Trevorrow, Amanda Silver, Derek Connolly.
  • CountryUS
  • Duration124 mins
  • Official sitewww.jurassicworld.com
  • Release11/06/2015

In the original Jurassic Park, scientists reanimate dinosaurs on a tropical island and quickly discover their arrogant folly. "Life breaks free. It expands to new territories and crashes through barriers," wisely observes Jeff Goldblum's doom-mongering chaos mathematician. His words reverberate throughout this fourth instalment of the blockbusting dino-franchise.

Director Colin Trevorrow and three co-writers step back in time, using the structure and heightened human drama of the first film as a solid template for this return to Isla Nublar. Jurassic World begs, borrows and affectionately steals from the 1993 box office behemoth, including a cameo for the Mr DNA animation and a set piece in the iconic visitor centre (now overgrown).

Two stricken children are a focal point when the park goes into meltdown, and mission control boasts a nerdy computer wizard (Jake Johnson) for mild comic relief. If the nuts and bolts of the screenplay are unabashedly retro, the special effects are undeniably state-of-the-art, realising creatures great and small, which chomp through countless extras and the main cast.

This is by far the bloodiest chapter of the Jurassic saga, if not quite the best. Jurassic World opened to the public in 2005 and now welcomes more than 20,000 visitors a day. Claire Dearing (Bryce Dallas Howard) oversees park operations, while Dr Henry Wu (BD Wong) plays God in the laboratories, splicing DNA strands to create terrifying new breeds.

"Consumers want them bigger, louder, more teeth," Claire tells a group of investors. Thus the ferocious and highly intelligent Indominus Rex is born. "This will give the parents nightmares," shudders park CEO Simon Masrani (Irrfan Khan), who took up the mantle from John Hammond to open an isle of prehistoric wonders.

When the Indominus Rex escapes her paddock, Claire begs naval officer-turned-animal behaviour specialist Owen Grady (Chris Pratt) for help. He has been working on the island with Vic Hoskins (Vincent D'Onofrio), head of InGen Security, on a top-secret project involving four captive velociraptors.

Claire is distraught because her nephews, Zach (Nick Robinson) and Gray (Ty Simpkins), are trapped in the middle of the bloodbath. She implores Owen to rescue the boys, tracking them by footprints and scent. "I was in the Navy, not the Navajo," he reminds her.

Jurassic World is a muscular, rollicking romp that captures some of the adrenaline-pumping thrills and jaw-dropping awe we felt more than 20 years ago when Steven Spielberg first unleashed dinosaurs back into multiplexes.

Pratt is an instantly likable hero and he catalyses a simmering screen chemistry with Howard as the workaholic who faces the dino-pocalypse in highly inappropriate footwear. D'Onofrio glowers as one of the film's boo-hiss villains, who views the creatures as expendable assets. "We own them. Extinct animals have no rights," he snarls.

Action sequences are orchestrated at a lick, seamlessly integrating digital trickery with live action including chaotic scenes of a flock of pteranodons plucking visitors from the ground. "Remember: something chases you, run!" advises Zach and Gray's mom at the beginning of the film. Wise words.

Showtimes (Click time to book tickets)

Thursday 9th July 2015

Jurassic World 3D 4 stars

movie title

The Jurassic World theme park is open on Isla Nublar under the control of Operations Manager Claire Dearing. The park's scientists play God by performing genetic modification experiments to breed a new dinosaur: the Indominus Rex. When this hulking beast escapes confinement and goes on the rampage in a park crowded with terrified tourists, animal wrangler Owen Grady races to the rescue.

  • GenreAction, Adventure, Family, Science Fiction, Thriller
  • CastJudy Greer, Chris Pratt, Ty Simpkins, Bryce Dallas Howard, Vincent D'Onofrio, Nick Robinson.
  • DirectorColin Trevorrow.
  • WriterRick Jaffa, Amanda Silver, Colin Trevorrow, Derek Connolly.
  • CountryUS
  • Duration124 mins
  • Official sitewww.jurassicworld.com
  • Release11/06/2015

In the original Jurassic Park, scientists reanimate dinosaurs on a tropical island and quickly discover their arrogant folly. "Life breaks free. It expands to new territories and crashes through barriers," wisely observes Jeff Goldblum's doom-mongering chaos mathematician. His words reverberate throughout this fourth instalment of the blockbusting dino-franchise.

Director Colin Trevorrow and three co-writers step back in time, using the structure and heightened human drama of the first film as a solid template for this return to Isla Nublar. Jurassic World begs, borrows and affectionately steals from the 1993 box office behemoth, including a cameo for the Mr DNA animation and a set piece in the iconic visitor centre (now overgrown).

Two stricken children are a focal point when the park goes into meltdown, and mission control boasts a nerdy computer wizard (Jake Johnson) for mild comic relief. If the nuts and bolts of the screenplay are unabashedly retro, the special effects are undeniably state-of-the-art, realising creatures great and small, which chomp through countless extras and the main cast.

This is by far the bloodiest chapter of the Jurassic saga, if not quite the best. Jurassic World opened to the public in 2005 and now welcomes more than 20,000 visitors a day. Claire Dearing (Bryce Dallas Howard) oversees park operations, while Dr Henry Wu (BD Wong) plays God in the laboratories, splicing DNA strands to create terrifying new breeds.

"Consumers want them bigger, louder, more teeth," Claire tells a group of investors. Thus the ferocious and highly intelligent Indominus Rex is born. "This will give the parents nightmares," shudders park CEO Simon Masrani (Irrfan Khan), who took up the mantle from John Hammond to open an isle of prehistoric wonders.

When the Indominus Rex escapes her paddock, Claire begs naval officer-turned-animal behaviour specialist Owen Grady (Chris Pratt) for help. He has been working on the island with Vic Hoskins (Vincent D'Onofrio), head of InGen Security, on a top-secret project involving four captive velociraptors.

Claire is distraught because her nephews, Zach (Nick Robinson) and Gray (Ty Simpkins), are trapped in the middle of the bloodbath. She implores Owen to rescue the boys, tracking them by footprints and scent. "I was in the Navy, not the Navajo," he reminds her.

Jurassic World is a muscular, rollicking romp that captures some of the adrenaline-pumping thrills and jaw-dropping awe we felt more than 20 years ago when Steven Spielberg first unleashed dinosaurs back into multiplexes.

Pratt is an instantly likable hero and he catalyses a simmering screen chemistry with Howard as the workaholic who faces the dino-pocalypse in highly inappropriate footwear. D'Onofrio glowers as one of the film's boo-hiss villains, who views the creatures as expendable assets. "We own them. Extinct animals have no rights," he snarls.

Action sequences are orchestrated at a lick, seamlessly integrating digital trickery with live action including chaotic scenes of a flock of pteranodons plucking visitors from the ground. "Remember: something chases you, run!" advises Zach and Gray's mom at the beginning of the film. Wise words.

Showtimes (Click time to book tickets)

Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

Magic Mike XXL 2 stars

movie title

Mike and his fellow dancers Ken, Richie, Tarzan and Tito have been at the top of their pelvis-thrusting game for too long and the end is nigh for the Kings of Tampa. The gang decides to bow out in style with a final performance in Myrtle Beach. En route to this emotional farewell, the men make a detour to Savannah to visit Mike's old stomping ground: the Domina private club run by sassy businesswoman Rome.

  • GenreComedy, Drama, Romance
  • CastElizabeth Banks, Channing Tatum, Amber Heard, Kevin Nash, Joe Manganiello, Adam Rodriguez, Jada Pinkett Smith, Matt Bomer.
  • DirectorGregory Jacobs.
  • WriterReid Carolin.
  • CountryUS
  • Duration115 mins
  • Official sitewww.magicmikemovie.com
  • Release03/07/2015

Size matters to Magic Mike XXL. Apart from the tease in the title of this pelvis-thrusting sequel, Gregory Jacobs' third feature is longer and showier than the original. The film dutifully thrusts its crotch towards the target demographics, intentionally showing paying women customers of every age, ethnicity and shape enjoying the raunchy dance solos, and shoehorning a superfluous scene in a gay club that enforces limp-wristed stereotypes.

Unfortunately, the breathlessly staged performances are forced to bump 'n' grind against a script that is flimsier than a moth-eaten G-string. The narrative lacks pace and purpose, most of the characters are limited to one scene of personal development, and a central romance between Channing Tatum and on-screen love interest Amber Heard remains unappealingly limp.

Tatum is the film's strongest asset and his athleticism and agility are repeatedly tested by choreographer Alison Faulk. Pulses quicken when the dancers have their clothes on, gyrating suggestively against whooping clientele.

As soon as the trousers come down and shiny posing pouches succumb to gravity, the electrical charge dissipates. This might be the first film about "male entertainers" where the audience rowdily cheers "put 'em back on!"

It's been three years since Mike Lane (Tatum) turned his back on stripping to pursue his dream of running a custom furniture business. Times are tough: his girlfriend has left him, he's struggling to pay his one employee, and when his signature song - Ginuwine's "Pony" - blasts from the radio in his workshop, he can't resist a feverish grind against the nearest workstation.

Consequently, Mike reunites with fellow dancers Ken (Matt Bomer), Richie (Joe Manganiello), Tito (Adam Rodriguez) and Tarzan (Kevin Nash) for one final pelvis-thrusting hurrah as the Kings of Tampa at a strippers' convention in Myrtle Beach.

En route, the team's MC Tobias (Gabriel Iglesias) is waylaid in hospital, Richie finds a potential soulmate in an uninhibited Southern belle (Andie MacDowell), and the men learn new tricks from smooth operators Andre (Donald Glover), Malik (Stephen 'tWitch' Boss) and Augustus (Michael Strahan) at a private club called Domina run by sassy businesswoman Rome (Jada Pinkett Smith).

Aside from the protracted sequence at Domina that turns up the temperature several degrees, Magic Mike XXL is dull and disjointed. The road trip narrative is a creaky support for the poorly conceived vignettes in Reid Carolin's script, which conveniently forgets about Mike's faltering business, his customers and one employee as soon as he boards the van to Myrtle Beach.

Rome's affirmative message that all women deserved to be worshipped as "queens" by their men might ring true if the women in the film weren't dragged, pushed and spun around the floor like supermops by the dancers. It's one way to do the housework, I suppose.

Showtimes (Click time to book tickets)

Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

Minions 3 stars

movie title

Since the dawn of time, the Minions have gravitated towards the most despicable master they can find. One Minion named Kevin embarks on an epic quest to find a new evil boss for his brethren to follow. Flanked by teenage rebel Stuart and diminutive scaredy-cat Bob, Kevin leaves the Minions' current home in Antarctica bound for 1968 New York City, where he stumbles upon the world's first female super-villain: Scarlet Overkill.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastChris Renaud, Sandra Bullock, Pierre Coffin, Steve Coogan, Allison Janney, Michael Keaton, Katy Mixon, Jon Hamm.
  • DirectorPierre Coffin, Kyle Balda.
  • WriterBrian Lynch.
  • CountryUS
  • Duration91 mins
  • Official sitewww.minionnation.co.uk
  • Release26/06/2015

You can have too much of a good thing. In small doses, Despicable Me's goggle-eyed hench-creatures are a deranged delight. As unwittingly heroes of their own big screen adventure, these pint-sized "knights in shining denim" lose some of their loopy lustre, hindered by Brian Lynch's flimsy script, which is disappointingly light on storyline and belly laughs.

A dazzling vocal cast of gifted comic actors is repeatedly short-changed. Very young children, who gurgle with glee at the Minions' bonkers vernacular combining Esperanto and gobbledygook, will adore the slapstick, pratfalls and the tiniest member of the Minions clan, Bob, who clutches a well-loved teddy bear called Tim.

Adults will be considerably harder to win over. The lack of a coherent storyline grates as much as the lazy cultural stereotyping of the British as tea-sipping, corgi-riding folk, who frequent pubs called The Pig's Spleen.

Since the dawn of time, Minions have gravitated towards despicable masters including Tyrannosaurus Rex, Count Dracula and Napoleon. Unfortunately, these masters die prematurely - at the hands of the clumsy, yellow hench-creatures - leaving the Minions in a state of deep depression.

One brave soul named Kevin steps forth to find an evil boss for his bald, jaundiced brethren. Flanked by Stuart and scaredy-cat Bob, Kevin leaves the Minions' ice cave retreat bound for 1968 New York City. Cue a President Richard Nixon billboard proclaiming "Finally: a name you can trust". Could the Minions have stumbled upon their arch-villain?

No. The plucky trio learns about a gathering of criminals in Orlando and hitches a ride to the convention with a bank-robbing family led by Walter Nelson (voiced by Michael Keaton) and wife Madge (Allison Janney).

Their daughter Tina (Katy Mixon) points the Minions in the direction of bouffant super-villain Scarlet Overkill (Sandra Bullock). "If I was a minion, that's who I'd want to work for," she swoons. Thus the trio pledges allegiance to Scarlet and her inventor husband Herb (Jon Hamm), who are plotting to steal the Crown Jewels from Queen Elizabeth II (Jennifer Saunders).

While the soundtrack swings its flares to The Kinks and The Who, Kevin, Stuart and Bob careen around London armed with Herb's nifty gadgets: a robo-suit, lava lamp gun and hypno-hat.

Minions has a sprinkling of giggles and doesn't outstay its welcome but there's an unshakable feeling that Pierre Coffin and Kyle Balda's film falls short. The groovy time period should be a velvet goldmine of visual gags but the best the film can muster is a nod to The Beatles and a faked moon landing.

The 3D version doesn't exploit the eye-popping format so parents with tykes in tow should save their money for the inevitable raid on the concessions stand. Animation is colourful and pristine, opting for shiny surfaces and sharp angles that reduce the need for meticulous detail and realism. Despicable? Meh.

Showtimes (Click time to book tickets)

Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

Minions (Subtitled) 3 stars

movie title

Since the dawn of time, the Minions have gravitated towards the most despicable master they can find. One Minion named Kevin embarks on an epic quest to find a new evil boss for his brethren to follow. Flanked by teenage rebel Stuart and diminutive scaredy-cat Bob, Kevin leaves the Minions' current home in Antarctica bound for 1968 New York City, where he stumbles upon the world's first female super-villain: Scarlet Overkill.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastSteve Coogan, Pierre Coffin, Allison Janney, Michael Keaton, Katy Mixon, Chris Renaud, Sandra Bullock, Jon Hamm.
  • DirectorPierre Coffin, Kyle Balda.
  • WriterBrian Lynch.
  • CountryUS
  • Duration91 mins
  • Official sitewww.minionnation.co.uk
  • Release26/06/2015

You can have too much of a good thing. In small doses, Despicable Me's goggle-eyed hench-creatures are a deranged delight. As unwittingly heroes of their own big screen adventure, these pint-sized "knights in shining denim" lose some of their loopy lustre, hindered by Brian Lynch's flimsy script, which is disappointingly light on storyline and belly laughs.

A dazzling vocal cast of gifted comic actors is repeatedly short-changed. Very young children, who gurgle with glee at the Minions' bonkers vernacular combining Esperanto and gobbledygook, will adore the slapstick, pratfalls and the tiniest member of the Minions clan, Bob, who clutches a well-loved teddy bear called Tim.

Adults will be considerably harder to win over. The lack of a coherent storyline grates as much as the lazy cultural stereotyping of the British as tea-sipping, corgi-riding folk, who frequent pubs called The Pig's Spleen.

Since the dawn of time, Minions have gravitated towards despicable masters including Tyrannosaurus Rex, Count Dracula and Napoleon. Unfortunately, these masters die prematurely - at the hands of the clumsy, yellow hench-creatures - leaving the Minions in a state of deep depression.

One brave soul named Kevin steps forth to find an evil boss for his bald, jaundiced brethren. Flanked by Stuart and scaredy-cat Bob, Kevin leaves the Minions' ice cave retreat bound for 1968 New York City. Cue a President Richard Nixon billboard proclaiming "Finally: a name you can trust". Could the Minions have stumbled upon their arch-villain?

No. The plucky trio learns about a gathering of criminals in Orlando and hitches a ride to the convention with a bank-robbing family led by Walter Nelson (voiced by Michael Keaton) and wife Madge (Allison Janney).

Their daughter Tina (Katy Mixon) points the Minions in the direction of bouffant super-villain Scarlet Overkill (Sandra Bullock). "If I was a minion, that's who I'd want to work for," she swoons. Thus the trio pledges allegiance to Scarlet and her inventor husband Herb (Jon Hamm), who are plotting to steal the Crown Jewels from Queen Elizabeth II (Jennifer Saunders).

While the soundtrack swings its flares to The Kinks and The Who, Kevin, Stuart and Bob careen around London armed with Herb's nifty gadgets: a robo-suit, lava lamp gun and hypno-hat.

Minions has a sprinkling of giggles and doesn't outstay its welcome but there's an unshakable feeling that Pierre Coffin and Kyle Balda's film falls short. The groovy time period should be a velvet goldmine of visual gags but the best the film can muster is a nod to The Beatles and a faked moon landing.

The 3D version doesn't exploit the eye-popping format so parents with tykes in tow should save their money for the inevitable raid on the concessions stand. Animation is colourful and pristine, opting for shiny surfaces and sharp angles that reduce the need for meticulous detail and realism. Despicable? Meh.

Showtimes (Click time to book tickets)

Wednesday 8th July 2015

Minions 3D 3 stars

movie title

Since the dawn of time, the Minions have gravitated towards the most despicable master they can find. One Minion named Kevin embarks on an epic quest to find a new evil boss for his brethren to follow. Flanked by teenage rebel Stuart and diminutive scaredy-cat Bob, Kevin leaves the Minions' current home in Antarctica bound for 1968 New York City, where he stumbles upon the world's first female super-villain: Scarlet Overkill.

  • GenreAnimation/Cartoon, Comedy, Family, Family
  • CastPierre Coffin, Chris Renaud, Sandra Bullock, Steve Coogan, Allison Janney, Michael Keaton, Katy Mixon, Jon Hamm.
  • DirectorPierre Coffin, Kyle Balda.
  • WriterBrian Lynch.
  • CountryUS
  • Duration91 mins
  • Official sitewww.minionnation.co.uk
  • Release26/06/2015

You can have too much of a good thing. In small doses, Despicable Me's goggle-eyed hench-creatures are a deranged delight. As unwittingly heroes of their own big screen adventure, these pint-sized "knights in shining denim" lose some of their loopy lustre, hindered by Brian Lynch's flimsy script, which is disappointingly light on storyline and belly laughs.

A dazzling vocal cast of gifted comic actors is repeatedly short-changed. Very young children, who gurgle with glee at the Minions' bonkers vernacular combining Esperanto and gobbledygook, will adore the slapstick, pratfalls and the tiniest member of the Minions clan, Bob, who clutches a well-loved teddy bear called Tim.

Adults will be considerably harder to win over. The lack of a coherent storyline grates as much as the lazy cultural stereotyping of the British as tea-sipping, corgi-riding folk, who frequent pubs called The Pig's Spleen.

Since the dawn of time, Minions have gravitated towards despicable masters including Tyrannosaurus Rex, Count Dracula and Napoleon. Unfortunately, these masters die prematurely - at the hands of the clumsy, yellow hench-creatures - leaving the Minions in a state of deep depression.

One brave soul named Kevin steps forth to find an evil boss for his bald, jaundiced brethren. Flanked by Stuart and scaredy-cat Bob, Kevin leaves the Minions' ice cave retreat bound for 1968 New York City. Cue a President Richard Nixon billboard proclaiming "Finally: a name you can trust". Could the Minions have stumbled upon their arch-villain?

No. The plucky trio learns about a gathering of criminals in Orlando and hitches a ride to the convention with a bank-robbing family led by Walter Nelson (voiced by Michael Keaton) and wife Madge (Allison Janney).

Their daughter Tina (Katy Mixon) points the Minions in the direction of bouffant super-villain Scarlet Overkill (Sandra Bullock). "If I was a minion, that's who I'd want to work for," she swoons. Thus the trio pledges allegiance to Scarlet and her inventor husband Herb (Jon Hamm), who are plotting to steal the Crown Jewels from Queen Elizabeth II (Jennifer Saunders).

While the soundtrack swings its flares to The Kinks and The Who, Kevin, Stuart and Bob careen around London armed with Herb's nifty gadgets: a robo-suit, lava lamp gun and hypno-hat.

Minions has a sprinkling of giggles and doesn't outstay its welcome but there's an unshakable feeling that Pierre Coffin and Kyle Balda's film falls short. The groovy time period should be a velvet goldmine of visual gags but the best the film can muster is a nod to The Beatles and a faked moon landing.

The 3D version doesn't exploit the eye-popping format so parents with tykes in tow should save their money for the inevitable raid on the concessions stand. Animation is colourful and pristine, opting for shiny surfaces and sharp angles that reduce the need for meticulous detail and realism. Despicable? Meh.

Showtimes (Click time to book tickets)

Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

Spy 4 stars

movie title

Susan Cooper is a deskbound analyst at the CIA, whose expert intelligence and quick-thinking help suave secret agent Bradley Fine to complete some of the Agency's most dangerous missions. He takes all of the acclaim while Susan remains firmly in the background. When Bradley and fellow agent Rick Ford are compromised, Susan puts herself forward for active duty to infiltrate the inner circle of arms dealer Rayna Boyanov and avert global disaster.

  • GenreAction, Comedy
  • CastJason Statham, Morena Baccarin, Rose Byrne, Allison Janney, Melissa McCarthy, Miranda Hart, Jude Law.
  • DirectorPaul Feig.
  • WriterPaul Feig.
  • CountryUS
  • Duration120 mins
  • Official sitewww.foxmovies.com/movies/spy
  • Release05/06/2015

Oscar-nominated actress Melissa McCarthy reunites with Bridesmaids writer-director Paul Feig for an action-packed mission, which would leave James Bond decidedly shaken and stirred by its unorthodox approach to 21st-century espionage.

Punctuated by thrilling chases and a frenetic knife fight in a restaurant kitchen, Spy is a terrifically entertaining caper, jam-packed with belly laughs and foul-mouthed outbursts. The hijinks are underpinned by another winning performance from McCarthy as a deskbound analyst at the CIA, who is championed for her moist homemade cakes rather than her sharp intellect.

Brains arm-wrestles brawn in Feig's politically incorrect and uproarious script, including an amusing cameo from rapper 50 Cent as himself and a juicy supporting role for Miranda Hart.

While the leading lady proves her doubters wrong in the name of world peace, Jason Statham lampoons his tough guy screen image as a CIA operative, who was clearly at the shallow end of the gene pool when they were doling out intelligence. One wordy scene - perhaps the most dialogue Statham has ever delivered in a single take - is a particular highlight.

Suave secret agent Bradley Fine (Jude Law) completes some of the Agency's most dangerous missions thanks to the quick-thinking and hi-tech gadgetry of analyst Susan Cooper (McCarthy). He takes all of the acclaim while Susan remains firmly in the background haunted by her controlling mother's mangled mantra: "well behaved women do make history".

When Bradley and the other agents, including British bruiser Rick Ford (Statham), are compromised, Susan puts herself forward for active duty to infiltrate the inner circle of arms dealer Rayna Boyanov (Rose Byrne). CIA deputy director Elaine Crocker (Allison Janney) places her trust in Susan to complete the perilous mission without any field experience.

"Track and report only," instructs Elaine. Guided by her dithering colleague Nancy Artingstall (Hart), Susan adopts a series of dowdy disguises to get close to Rayna without arousing suspicion. "I look like someone's homophobic aunt," remarks Susan about one of her fake personas. As Rayna prepares to sell a stolen device to Sergio De Luca (Bobby Cannavale), Susan throws caution to the wind to avert global disaster.

Opening with an extended action sequence and Saul Bass-inspired opening titles replete with a Bond-esque thunderous ballad, Spy is a rip-roaring treat. McCarthy throws herself into her role with gusto, mixing steeliness with lovability as she battles armed henchmen, speeds after a target on a scooter and tries to stop a bad guy from escaping in his helicopter.

Hart essentially plays herself, but she's a snug fit amidst a strong Anglo-American cast, who deliver Feig's zinging one-liners with tongues wedged firmly in cheek. The spirit of 007 pervades every glossy frame, but with old-school chauvinism turned on its head to affirm a message of girl power and independence.

Showtimes (Click time to book tickets)

Tuesday 7th July 2015

Still Alice 3 stars

movie title

Celebrated linguistics professor Alice Howland has a handsome husband John and three grown-up children, Anna, Tom and Lydia, who are forging their own paths through life. Out of the blue, Alice begins to forget words and phrases, and medical tests reveal she has early on-set Alzheimer's disease, inherited from her father. Since the condition could be passed down to her children, Alice advises her brood to be tested, which poses a dilemma for Anna, who is pregnant with twins.

  • GenreAdaptation, Drama, Romance
  • CastJulianne Moore, Kristen Stewart, Hunter Parrish, Alec Baldwin, Kate Bosworth, Shane McRae.
  • DirectorRichard Glatzer, Wash Westmoreland.
  • WriterRichard Glatzer, Wash Westmoreland.
  • CountryUS
  • Duration101 mins
  • Official sitewww.sonyclassics.com/stillalice/
  • Release06/03/2015 (selected cinemas)

Memories are twinkling stars in a celestial map linking our past, present and future. Some of these glittering orbs dim naturally over time, such as first experiences from childhood, while others are temporarily obscured by the fog of modern life, like when we forget a friend's birthday, what we dreamt last night, to water the plants or the last place we saw a set of keys.

Alzheimer's is an incurable neurodegenerative disease that slowly robs a patient of the ability to see these stars and chart a safe passage back to the people they love. Names and faces of friends and family fade to black. For those left behind, staring into the unblinking eyes of a close relative who no longer recognises you, is an anguish that defies words.

Julianne Moore delivers an Oscar-winning performance as a forty-something mother faced with an early diagnosis of this cruel disease in Richard Glatzer and Wash Westmoreland's heartfelt drama. Based on the novel by Lisa Genova, Still Alice simply, yet powerfully, conveys the emotional devastation for the central character and the ripple effect for her family.

Celebrated linguistics professor Alice Howland (Moore) leads a charmed life. She has a husband John (Alex Baldwin) and three grown-up children, Anna (Kate Bosworth), Tom (Hunter Parrish) and Lydia (Kristen Stewart), who are forging divergent paths through life.

During a lecture that she has rigorously prepared, Alice inexplicably loses her train of thought. "I knew I shouldn't have had that champagne," she jokes to appreciative giggles from her audience. Alice begins to forget simple vocabulary and seeks guidance from family medic, Dr Benjamin (Stephen Kunken).

He rules out tumours or a stroke but suspects that Alice is exhibiting the early symptoms of Alzheimer's. "It would be rare for someone as young as yourself, but you do fit the criteria," he tells her soberly. Tests confirm the doctor's fears and since the condition can be passed down, Alice calls together her brood.

She advises her children to be tested, which poses a dilemma for Anna and her husband Charlie (Shane McRae), who are expecting twins.

Anchored by Moore's spellbinding work, Still Alice is a modern family portrait that will strike an unsettling chord. Baldwin tugs our heartstrings and Stewart offers strident support as the youngest member of the clan, who moves back home to reconnect with her mother while there is still time.

"I wish I had cancer," Alice tells John. "I wouldn't feel so ashamed. When people have cancer they wear pink ribbons for you and go on long walks and raise money." Still Alice feels no shame or cloying self-pity.

Writer-directors Glatzer and Westmoreland treat characters with sensitivity, touching lightly on the frustrations and blind terror that will become more frequent for Alice and her inner circle as the disease progresses.

Showtimes (Click time to book tickets)

Wednesday 8th July 2015
Thursday 9th July 2015

Ted 2 2 stars

John has divorced Lori and Ted is poised to walk down the aisle with his sweetheart, a checkout girl called Tami-Lynn. Then disaster strikes. The state of Massachusetts decrees that a teddy bear is a piece of property not a person so Ted is stripped of his marriage certificate, job and identity. Consequently, Ted and John head into the courtroom with civil rights attorney Samantha L Jackson to argue that Ted is alive and deserves his rights.

  • GenreComedy, Romance
  • CastMark Wahlberg, Liam Neeson, Amanda Seyfried, Seth MacFarlane, Jessica Barth.
  • DirectorSeth MacFarlane.
  • WriterAlec Sulkin, Seth MacFarlane, Wellesley Wild.
  • CountryUS
  • Duration116 mins
  • Official sitewww.ted2.co.uk
  • Release08/07/2015

In 2012, writer-director Seth MacFarlane's mismatched buddy comedy Ted was a surprise hit. Man's best friend wasn't a dog after all - it was a potty-mouthed, talking teddy with a penchant for beer, bongs and scantily clad ladies. Sadly, the bear necessities of modern life don't stretch to a second film because Ted 2 is padded with as much fluff as the huggable hero. The sequel is a vast improvement on MacFarlane's previous film, A Million Ways To Die In The West, but even root canal treatment would be preferable to a repeat viewing of that tumbleweed spoof. The sweetness and romance, which distinguished the original Ted, have been diluted to the point of blandness here and a climactic set piece at a pop culture convention is an unsightly mess. Direction plods without any urgency and politically incorrect, gross-out interludes are laced with malice. Between the frequent yawns, MacFarlane conjures moments of magic - new love interest Amanda Seyfried's a cappella rendition of Mean Ol' Moon; a bizarre yet hilarious cameo by Liam Neeson - but these are fleeting. Ted 2 opens with John Bennett (Mark Wahlberg) divorced from Lori (Mila Kunis) and fur ball companion Ted (voiced by McFarlane) poised to walk down the aisle with a brassy checkout girl called Tami-Lynn (Jessica Barth). One year later, the honeymoon is over and Ted and Tami-Lynn are arguing incessantly. Ted's supermarket co-worker (Cocoa Brown) passes on a nugget of her wisdom: "You better have a baby or your marriage is over". The bear lacks the necessary appendage to impregnate Tami-Lynn, so he hatches a plot to steal the sperm of American football legend Tom Brady (playing himself). The bear-brained scheme misfires and Ted and Tami-Lynn approach an adoption agency. Their application is red flagged because the state of Massachusetts recognises Ted as a piece of property not a person. Soon after, the bear loses his job and the marriage is annulled. "We take this all the way to Judge Judy if we have to," bellows John and the pals head to court with idealistic attorney Samantha L Jackson (Amanda Seyfried) to uphold Ted's civil rights. Ted 2 runs on empty in terms of originality, relying entirely on our affection for the characters to sustain interest. Wahlberg trades lacklustre banter with his computer-generated pal and there's an absence of on-screen chemistry with Seyfried. A running gag about her facial similarity to a character from The Lord Of The Rings develops a stitch before its punchline, while fleeting appearances from John's gay co-worker (Patrick Warburton) and his boyfriend (Michael Dorn) are superfluous. At a critical juncture in the court case, Ted activates the voicebox in his chest and sweetly trills, "I love you!" Regrettably, it's impossible to feel similarly enamoured with MacFarlane's sequel.

Showtimes (Click time to book tickets)

Wednesday 8th July 2015
Thursday 9th July 2015

Terminator Genisys 2 stars

movie title

In the aftermath of judgment day, rebel leader John Connor hopes to give humanity a fighting chance by sending his friend Kyle Reese back in time to 1986 to protect his helpless mother Sarah from a shape-shifting Terminator. When Kyle finally catches up with Sarah, he discovers that he is in an altered timeline in which the Connor matriarch is a well-honed fighting machine, who already has protection: an ageing T-800 model Terminator.

  • GenreAction, Adventure, Science Fiction, Thriller
  • CastJai Courtney, Arnold Schwarzenegger, Emilia Clarke, Byung-hun Lee, Jason Clarke, JK Simmons.
  • DirectorAlan Taylor.
  • WriterPatrick Lussier, Laeta Kalogridis.
  • CountryUS
  • Duration126 mins
  • Official sitewww.terminatormovie.com
  • Release02/07/2015

In Terminator Genisys, the misfiring reboot of James Cameron's apocalyptic time-travelling saga, Arnold Schwarzenegger's cyborg assassin repeatedly references his advancing years in a dystopian world of young pretenders. "I'm old, not obsolete," he deadpans in that distinctive Teutonic growl. Alas, both the hulking Austrian action man and the blockbusting franchise are ready for the scrapheap.

Millions of dollars of special effects, some of them workmanlike, cannot disguise the fried circuitry of Laeta Kalogridis and Patrick Lussier's script, which is hard-wired with the muddled concept of alternate universes to explain the tweaks to this reimagined origin story.

Released in 1984, The Terminator tapped into timely concerns about nuclear warfare to explore a bleak future in which machines have rebelled against mankind and rendered our species almost obsolete. Terminator Genisys follows a similarly gloomy trajectory.

In the aftermath of judgment day, the last vestiges of mankind face complete extinction at the hands of the automata. Rebel leader John Connor (Jason Clarke) leads the charge in 2029 Los Angeles, flanked by best friend Kyle Reese (Jai Courtney).

"You gave us all a future, John. I'm going to use mine," proudly declares Kyle, who volunteers to venture back to 1984 to protect John's mother Sarah (Emilia Clarke) from a shape-shifting T-1000 (Byung-hun Lee).

When Kyle arrives, he discovers that he has gatecrashed an altered timeline in which the Connor matriarch is a ballsy warrior, who already has a protector: an ageing T-800 (Schwarzenegger), which she refers to affectionately as "pops".

Sarah, Kyle and the T-800 launch an assault on Cyberdyne Systems run by Miles Dyson (Courtney B Vance) and his son Danny (Dayo Okeniyi), who will unwittingly give birth to Skynet and bring about mankind's downfall. However, someone knows they are coming.

Terminator Genisys attempts to mimic Jurassic World by exploiting our nostalgia, but Alan Taylor's picture has neither the jaw-dropping thrills nor the wry humour of the rampaging dinosaurs. The multiple timelines become a tangled, knotty mess before the two hours are up, making us wish that Skynet had, in an alternate universe, infected the scriptwriters' computers with a virus and wiped this film from their hard drives.

Action sequences feel second-hand: duels between different model Terminators were choreographed with more flair in previous films and the culmination to a chase across the Golden Gate Bridge whiffs of The Lost World: Jurassic Park.

Faltering comic relief arrives in the form of JK Simmons' veteran LAPD detective, who is rescued by Sarah and Kyle in 1984 and drives his colleagues mad with far-fetched stories of killer robots.

"We're here to stop the end of the world," Sarah tells him.
"I can work with that," grins the detective.
Unfortunately, we can't work with Taylor's reboot. The end - including an additional scene secreted in the credits - can't come soon enough.

Showtimes (Click time to book tickets)

Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015

Terminator Genisys 3D 2 stars

movie title

In the aftermath of judgment day, rebel leader John Connor hopes to give humanity a fighting chance by sending his friend Kyle Reese back in time to 1986 to protect his helpless mother Sarah from a shape-shifting Terminator. When Kyle finally catches up with Sarah, he discovers that he is in an altered timeline in which the Connor matriarch is a well-honed fighting machine, who already has protection: an ageing T-800 model Terminator.

  • GenreAction, Adventure, Science Fiction, Thriller
  • CastArnold Schwarzenegger, Jai Courtney, Emilia Clarke, Byung-hun Lee, Jason Clarke, JK Simmons.
  • DirectorAlan Taylor.
  • WriterLaeta Kalogridis, Patrick Lussier.
  • CountryUS
  • Duration126 mins
  • Official sitewww.terminatormovie.com
  • Release02/07/2015

In Terminator Genisys, the misfiring reboot of James Cameron's apocalyptic time-travelling saga, Arnold Schwarzenegger's cyborg assassin repeatedly references his advancing years in a dystopian world of young pretenders. "I'm old, not obsolete," he deadpans in that distinctive Teutonic growl. Alas, both the hulking Austrian action man and the blockbusting franchise are ready for the scrapheap.

Millions of dollars of special effects, some of them workmanlike, cannot disguise the fried circuitry of Laeta Kalogridis and Patrick Lussier's script, which is hard-wired with the muddled concept of alternate universes to explain the tweaks to this reimagined origin story.

Released in 1984, The Terminator tapped into timely concerns about nuclear warfare to explore a bleak future in which machines have rebelled against mankind and rendered our species almost obsolete. Terminator Genisys follows a similarly gloomy trajectory.

In the aftermath of judgment day, the last vestiges of mankind face complete extinction at the hands of the automata. Rebel leader John Connor (Jason Clarke) leads the charge in 2029 Los Angeles, flanked by best friend Kyle Reese (Jai Courtney).

"You gave us all a future, John. I'm going to use mine," proudly declares Kyle, who volunteers to venture back to 1984 to protect John's mother Sarah (Emilia Clarke) from a shape-shifting T-1000 (Byung-hun Lee).

When Kyle arrives, he discovers that he has gatecrashed an altered timeline in which the Connor matriarch is a ballsy warrior, who already has a protector: an ageing T-800 (Schwarzenegger), which she refers to affectionately as "pops".

Sarah, Kyle and the T-800 launch an assault on Cyberdyne Systems run by Miles Dyson (Courtney B Vance) and his son Danny (Dayo Okeniyi), who will unwittingly give birth to Skynet and bring about mankind's downfall. However, someone knows they are coming.

Terminator Genisys attempts to mimic Jurassic World by exploiting our nostalgia, but Alan Taylor's picture has neither the jaw-dropping thrills nor the wry humour of the rampaging dinosaurs. The multiple timelines become a tangled, knotty mess before the two hours are up, making us wish that Skynet had, in an alternate universe, infected the scriptwriters' computers with a virus and wiped this film from their hard drives.

Action sequences feel second-hand: duels between different model Terminators were choreographed with more flair in previous films and the culmination to a chase across the Golden Gate Bridge whiffs of The Lost World: Jurassic Park.

Faltering comic relief arrives in the form of JK Simmons' veteran LAPD detective, who is rescued by Sarah and Kyle in 1984 and drives his colleagues mad with far-fetched stories of killer robots.

"We're here to stop the end of the world," Sarah tells him.
"I can work with that," grins the detective.
Unfortunately, we can't work with Taylor's reboot. The end - including an additional scene secreted in the credits - can't come soon enough.

Showtimes (Click time to book tickets)

Tuesday 7th July 2015
Wednesday 8th July 2015
Thursday 9th July 2015