Skilled actors project power into Shakespeare

A SOLD out lecture theatre, combined with a sinister and dark atmosphere, created by scenery, sound and lighting (and aided greatly by the British weather), provided the setting for an impressive production of Shakespeare's Macbeth.

Isabel Blake and Beth Coldridge's take on the Scottish play drew together some talented actors from both South Wilts and Bishop Wordsworth's schools, creating a poignant, powerful and traditional production, proving that Shakespeare can be most effective when presented in its original form.

The real power of the play, however, would have been absent without the string of skilled actors.

Joz Norris, in a mature and convincing performance, brought a genuinely frantic yet calculating quality to Shakespeare's famous protagonist. Equally laudable acting came from Kate Ryan, showing Lady Macbeth in all her passionate zeal throughout the play, and giving an exceptional performance during the sleepwalking scene.

The true intensity in the closing scenes came from Ollie Malam's rendition of Macduff's lament for his dead family (complemented by Emma Thorman's moving presentation of Lady Macduff earlier in the play), and his bitter fight scene with Macbeth.

The porter's scene is one that directors often discard as the humour and relevancy has dissipated somewhat over time. However, thankfully, in this production it was left in.

Jamie Moore as porter was highly amusing without being a detriment to the tension of the plot.

There were many innovative edges to the production with commendable performances from all involved.

- Kirsty Day